Monday, April 18, 2016

Gwen Walstrand and Sarah Perkins Artists' Talk

The Pittsburg State University Department of Art invites you to welcome photographer Gwen Walstrand and metalsmith/enamellist Sarah Perkins to campus this week to talk about their work currently on display in the University Gallery of the Pittsburg State University Museum of Art. Walstrand and Perkins, both professors from Missouri State University, will give a presentation at 3pm on Thursday, April 21st, to be followed by a reception in the Harry Krug Gallery from 4-6pm. The exhibition, Cairo, Illinois, will be on display through May 6th. 

Gwen Walstand and Sarah Perkins Exhibition Statement:
“Driving through what remains of Cairo it appears to an outsider that most of the town, along with its historic buildings and extensive business district, was abandoned within the same year, as nearly all the structures are in the same state of decay. In actuality, many events and circumstances caused precipitous decline of Cairo. The town’s history includes booming success as a shipping town at the confluence of the Mississippi and Ohio rivers, elegant hotels and mansions, and an impressive business district. The more recent history is one of race riots, appalling violence, multiple lynchings, domination by white supremacist groups, and eventual boycotts of local businesses by African Americans. The 1920s city of over 15,000 people now is home to under 3,000 people, hundreds of strangely patched up, decaying buildings, and a handful of struggling businesses.
The enameled bowls are a response to not only the reality of present day Cairo, but also to the images of it that were chosen by the photographer. The work seen together offers insight into the working processes of the artists and the choices made by different viewers. The photographer gathers and selects visual material; the metalsmith/enamellist edits the material again and transforms the flat images into three dimensions, but on a functional form that speaks to basic human requirements. The photographs, as both independent images and references for the bowls, are aesthetic explorations of Cairo but with an attempt to consider more deeply the complexity of human histories that form such places.”